16792 / PROJECT 15'. 2014.
Project 15' is an unconventional scenic platform that seeks to promote young local playwriting and create opportunities for exchange and experimentation. So, the purpose is to try to take advantage of the availability of old houses, before it will be demolished for the construction of buildings, to create alternative performance spaces.
Five playwrights/local directors, under 40 years, was invited to write a 15 minutes monologue, whose staging does not exceed 15 minutes in length.
The result was 5 stories of 15 minutes, which have no necessarily a thread each other, but nonetheless the contact within one and other reveal the habits, customs and invisible stories that lived and/or live in the house. The five monologues started at simultaneous, 15 was the number of viewers for each. A bell marked the start of each performance; in this way, viewers rotated by the five scenarios.
Concept & Direction Project 15': Luisa Fernanda Lindo
Playwright and Direction 16792: Luisa Fernanda Lindo
Actress: Katerina D'Onofrio
Video Edition: Diego Lama
Producer: PHÓRMULA / PHORMULA
Amadora ethics. 2013.
Video/performance realized for the International Poetry Festival ENCLAVE. International Book Fair of Palacio of Minería. México D.F.
This work is about gender violence and the silence of women who are victims, early age of abuse.
“Amadora ethics” from the unpublished book Maculada of Luisa Fernanda Lindo. Performance by Luisa Fernanda Lindo with the collaboration of the spanish artist Antonio de la Rosa. Presented at the International Poetry Festival ENCLAVE 2013 - Migrant Poetics. Mexico D.F. - March 2013.
The infinite is a space that rotates on its axis and turns around and starts again. 2013.
Performance / video installation realized for the group show 'Crazy. On cuts, braids and other hairstyles', curated by Susana Torres for V'Day Peru and 1 Billion Rising. Gallery of Art College Corriente Alterna, Lima.
This work discusses psychological violence and the possibility of breaking the patterns established by the society.
Peru, February 2013.
I have the strange feeling that I always come back to your side. Performance. 2012.
As part of the exhibition Terra Incognita. Cartographies nonexistent places, curated by Patricia Villanueva. Cultural Center of Spain in Lima.
This work deals with the construction of a fictional map of love and the possibility of breaking the mold by constant repetition of acts, resulting in the end of space.
Lima, February 2012.
POSTPOP hardcorepoetry w/Carlos Criminal. 2011.
As part of Poetry Festival of Lima. El Galpón Espacio.
'POSTPOP', works on political violence in the city of Lima from 1980 to 2000. For it, I took the concept of 'pop' as 'explosion', then 'postpop' appears as 'after the explosion', the lags of this violence.
Lima, October 2011.
Fiction. 2011-2012
Winning Grants Program Production and TheatricalExhibition awarded by the CCE and AECID. Winter season Ricardo Palma Auditorium Theatre (June-July, 2012). CCE Lima (November, 2011). Lima.
Maculada is a theatrical performance that part of the concept of the macula (spot) and passes three moments: the hereditary stain understood as original sin, the stain of menarche-the first step from girl to woman and the stain on direct relation with the social view -that responds to how society determines and judges. Thus, taking social issues, the work brings us different views of human behavior, inviting us to reflect on our role in society.
The work were part of the Experiencias de la Carne Festival - Performance Meeting 2011, organized by El Galpón.Espacio and the Cultural Center of Spain in Lima, getting great response from the public.
The sublime. 2010.
The Sublime from the book ‘Simulation’ of Luisa Fernanda Lindo
Performance: Luisa Fernanda Lindo
Action Site - Site Specific Intervention 'Texts' by sculptor Raura Oblitas Jordan in space The Ex-Culpable.
'Simulation', is a book about the behavior acquired or imposed by the system, and how the repetition, almost autonomous, reveals the social vacuum. Then, the simulation as a repeated exercise of a figurative 'reality' that, when appears, dismantles any exercise of form and confronts us with the sublime (the immeasurable that does not respect any way).
Lima, October 2010.